Exhibition preparation at Norwich, it seems a strange place to be. I have selected some things to show but as always they may not express what I had intended. Showing Fair Trade - Material Matters as a static exhibition and without the interactive process gives the work a significance I am not sure I can relate to. Stitching the new drawings has taught me so much more - I even find the rhythm and technique of the artists comes into the way I stitch each time - so each one has a real charecter. The hanging process lends a status and separation which it has not had before.
Bringing work from the allotment to a public space, together with chairs and tools which are very personal, makes me feel vulnerable and very uncertain. It has an attraction to viewers I can see that, it is very elemental and maybe non-gallery.
Tim Drakes animations are currently the most successful part for me - I had intended to show only those, with earth and charcoal on the floor....maybe another time!
Images to follow...
My 'Slow Making' article is available for audience to read, a few take advantage of this and find it interesting to read. It has been published this week in No 42 of Landscape and Arts Network Journal
Bringing work from the allotment to a public space, together with chairs and tools which are very personal, makes me feel vulnerable and very uncertain. It has an attraction to viewers I can see that, it is very elemental and maybe non-gallery.
Tim Drakes animations are currently the most successful part for me - I had intended to show only those, with earth and charcoal on the floor....maybe another time!
Images to follow...
My 'Slow Making' article is available for audience to read, a few take advantage of this and find it interesting to read. It has been published this week in No 42 of Landscape and Arts Network Journal