21 June 2006


In presenting work this week I am aware that I have left out some crucial information, as I am sure happens when writing this. If there are ommissions such as acknowledgeing authors of work I apologise here, and will endeavour to include them in future.

These should have been included in the last posting. Shelley Sacks Greenmuseum and David Haley Greenmuseum
Thinking in terms of spinning and combining fibres, using it as a metaphor for almost everything, has reinforced my understanding of environmental/ecological/social networks and structures. I am sure it not just a coincidence, everything does appear to have relationship and affect on everything else if you have time to research it. Working in the physical environment this becomes more and more obvious; people who work the land are sensitive to these relationships. Artists who listen to their insticts have the same sensitivities.